YOJ09-08 Effervescence Pendant

Effervescence Pendant (2009)
Sterling silver, fine silver, blue topaz
L 5.4 cm x W 2.5 cm
Constructed, flame-worked

Having made the decision to make more production pieces, I’m picking out stones from my stash and setting to work.  This week’s piece reminds me of the “Use it Up” pendants I made back in YOJ 2005-06.  I fished a piece of 15 ga. square wire out of the scrap bin and balled up the ends, then bent it into shape and added this 8.96 carat blue topaz brio.  It looked too plain, so I embellished it with 2 and 3 mm sterling beads.

Even since my friend Anna did the flower arrangements for my wedding, I’ve been mindful of the principle of using odd numbers for groupings.  She explained that it’s more pleasing to the eye to see 1, 3, or 5 things together, rather than 2, 4, or 6.  To some extent that principle is at work here with the three larger beads, and groups of 5 beads.

After I got it out the tumbler this morning, I tried it on.  The beads looked like fizzing over top of the brio, and made me think of what my kids refer to as “bubble water” – soda water.  So, it has the name “Effervescence”.   *grin*

My husband likes the pendant, but then again, he prefers any pieces to which I’ve take a torch.  The pendant wears well, but I’m not completely happy with the result – decorative beading is really not my forté – so I may it try again.

More photos:

YOJ09-06 Viking Knit Pendant

Viking Knit Pendant (2009)
Sterling silver, fine silver, glass
Constructed, liver of sulphur patination
L 2.9 cm x W 1.9 cm

I’ve got Viking knitting on the brain this week, because I’m working on a competition piece that uses that technique.  It’s a slow, tedious process, but at the same time, strangely rhythmic and meditative.  So far on the competition piece I’ve used about 15 ft of wire, and have oh… 1 1/2″ (just under 4 cm) of knitting completed.

Needless to say, it’s not the piece I’m posting for this week.

Since I have my fingers suitably warmed up, I figured I’d try using the technique on a pendant, and add a woven bail.  This result is slightly different than the netted pendant I made for myself about a year ago.

I also decided to add liver of sulphur patina to it because silver and clear glass is just plain boring.  The thing I love about LOS is the range of colours that can be produced, from straw yellow to deep dark black.  My LOS is very old – so old in fact that it doesn’t dissolve properly anymore.  I mixed up a weak solution and swirled the pendant around in it.  Initially it went gold/brass coloured, but I decided I wanted to go deeper, so I popped it back in.  I like the coppery brown colour I have now.

More photos, both with and without LOS: