wireworking – Page 3 – dianne karg baron

YOJ09-36 Green Sprout Pendant

Posted on September 7, 2009March 16, 2016 by dianne

Green Sprout Pendant (2009)
Constructed
Sterling silver, fine silver, prasiolite (green amethyst)
L 4.6 cm x W 2.2 cm

This week, I’ve been thinking alot about growing things, regeneration and rejuvenation. Unfortunately, spring is a long way off, so I’m sort of out of sync with the cycle of life. It’s the colour of prasiolite beads I bought in Bancroft (the only strand of beads I bought there). It’s such a sweet, fresh green, and it reminds me of spring, seeds sprouting, life bursting forth anew.

So, I used the bead as a sort of seed, with “roots” growing around the peak, and a little plant “sprouting” out from the roots.

Prasiolite, commonly called “green amethyst” as a marketing ploy, does occur naturally, but is very rare. Most prasiolite is created by heat treating amethyst or citrine. Just to confuse things, there is another stone called praseolite, also green, which is created by heat treating iolite (cordierite). This latter stone has a greasy luster, which may help in distinguishing the two.

My copy of Love is in the Earth by Melody (Sixth Printing 1993) doesn’t include an entry for either stone, but I found this entry just now on another website while writing this blog entry (added emphasis mine):

Prasiolite brings one appreciation, approval, and acclaim (and occasionally) fame. It further promotes the recognition of ones accomplishments and furthers the completion of same.

Prasiolite has been known as the “celestial root”, bringing the ancient knowledge of illumination, germination, and growth. …. Prasiolite further provides for sufficient tranquility of the minds to assist one in contemplating metaphors without vulnerability to the unknown.

Prasiolite has also been used to bring forth a polarizing prismatic energy, which engenders a spectrum of energy to clear and to activate all of the chakras……

Prasiloite has been used to stimulate healing on the spiritual level and to assist one in regaining the connection with the perfection of the self and the physical body….

Ha! How’s that for connecting with stone energy!?

More views:

YOJ09-35 Moonrise

Posted on September 6, 2009September 12, 2010 by dianne

Moonrise (2009)
Pendant, Sterling silver, fine silver, rainbow moonstone, indicolite (blue) tourmaline
Constructed, cold joined
L 6.4 cm x W 1.8 cm x D 1.2 cm (widest point)
SOLD to a private collector, September 2010

On my annual trek to Bancroft this year, I decided to focus on buying cabachons. I have a huge stash of beads, but I’ve been moving away from working with them. The last time I was in Bancroft, I bought some really nice cabs from one particular vendor, and was really happy to see them again. This year, I scored a bunch of beautiful tourmaline, prehnite, kyanite, garnet and rainbow moonstone.

As a member of the Etsy Wire Artisans Guild, I’m supposed to make a monthly “theme” piece. Well… I’ve been a bit lax about it because of my other commitments. So I’m playing a bit of catch up.

It’s been a couple of years since my last attempt at a multi-stone pendant. That attempt was… adequate… but really not up to the standard I like to set for myself. So, for the EWAG’s “Blue Moon” theme, I decided I’d take another stab at it.

Back when I was single, I lived within walking distance of Woodbine Beach in Toronto, and would regularly stroll along the water’s edge. I always loved watching moonrise over the water. The reflected light from Luna rippling over the waves was so peaceful. The Moon is the ruler of my astrological sign, Cancer, so I feel a special connection with it. With my feet in the water, I would say prayers of thanks to the Creator for all of the blessings in my life, and listen for the messages in my heart of what direction I needed to go.

For quite a long time now, I’ve been getting messages telling me I need to reconnect my spiritual side with my jewellery. I feel really strongly that doing that is going to resonate with others. So, in the past few months, I’ve been making and posting work that draws from my inner life.

I gave conscious thought to the stones I chose for this piece. The calming, balancing energy of the 11.7 ct moonstone helps connect with intuitive promptings, and the loving, powerful energy of the 24.42 ct blue tourmaline helps bring awareness and communication of those messages.

The wavy line coming down from the moon was always part of the design, but I also wanted to incorporate the shimmering and rippling of the water by incorporating weaving into the bezel of the lower stone. I’m very happy with the way it turned out, and the energy that comes off the piece is wonderful.

[mp:id=5]
.
.
Other views:

YOJ09-34 Stocking up for Christmas

Posted on September 5, 2009September 6, 2009 by dianne

The week 34 project isn’t a specific piece of jewellery, per se, more like a bunch of things I made in preparation for Christmas sales on my Etsy shop.

Not really much more to say than that. Oh, and if you’re interested in purchasing my jewellery, click this link.

YOJ09-33 A Boulder Opal from a friend

Posted on August 18, 2009August 18, 2009 by dianne

Boulder Opal Pendant (2009)
Sterling silver, boulder opal
Constructed, cold joined
L 3.7 cm x W 1.8 cm
Private collection

I used to be very active in the Gem & Mineral of Scarborough, and developed many good friends there. One of them, David Bellamy, gave me this stunning Australian boulder opal as a Christmas gift. We were at the club’s annual Christmas Sale, and one of the vendors was selling self-cut cabochons. Most of them were stones from Nova Scotia, but a few, like this opal, were from rough he had bought. I was completely enamoured with the stone, but put off by the price: $60. At that point, I was still trying to recover financially from my first failed marriage, and couldn’t justify spending that much on one stone. So, I was absolutely speechless and overwhelmed when David presented me with the stone.

I made many trips up to the Bancroft Gemboree with David over the years. He’s an avid collector of “species” thumbnails, and consistently creates some of the most interesting displays at the club’s annual show.

I used this stone for the prong set pendant tutorial I wrote for Haliburton, but the setting really didn’t do the stone justice. So this week, I took the setting apart and remade it. This one is staying in my personal collection, as a reminder of a passionate rockhound and generous friend.

We’ve come a long way, baby :-)

Posted on August 18, 2009September 15, 2009 by dianne

I’m spending time in the studio cleaning up today, and came across this letter I wrote to Lapidary Journal in 2000. It was in response to a comment published in their February 2000 issue.

From: Dianne Karg
To: Editor, Lapidary Journal
Date: 2/4/00 4:46:57 PM
Subject: Lapidary Journal “Beating the Wrap”

I couldn’t help but chuckle about the comment in the February 2000 issue of Lapidary Journal that “wire-wrapped jewelry could be said to be the Rodney Dangerfield of the jewelry world”! It’s unfortunately a true statement, precisely because it is a craft that can be done b y just about anyone with very little training. But just simply changing the name to “wirecraft” doesn’t change the fact that there is still a serious perception problem on the part of “traditional” jewellery craftspeople and the public. I’ve had many an encounter with others who upon hearing what I do, give me a condescendingly benign smile that says “Oh, you’re not a SERIOUS artist.” The attitude bemuses me – I’ve made jewellery using traditional fabrication methods, and I don’t consider myself to be any less an artist just because my chosen medium is now solderless wire. Part of the bias comes from the notion that because there is often no soldering, there is no real skill and very little innovation involved creating these pieces. Quite the contrary is true. Wire art – which is my preferred term for this type of jewellery – can involve a high degree of dexterity and technical complexity. For many people who turn their noses up at the idea, it comes as a revelation to see just what IS possible with wire. There is also a perception that because the craft is so labour intensive, it can’t be profitable. In fact, based on what your survey results showed, it can be just as profitable as other forms of jewellery. At the recent Wire Artists Group Convention held in Tallahassee, Florida in January, I had the privilege of meeting an international group of people who are truly pasional about wire art jewellery, and it shows in their work. I believe that Lapidary Journal could make a significant contribution to the changing of peoples’ perceptions by featuring a story on wire artists who are doing inventive and original work. The general public could have the opportunity to see that wire art jewellery is much more than simply wrapping wire around a stone. It could also inspire others who work with wire to stretch their creative muscle and move beyond the traditional forms into new directions.

In the almost 10 years since I wrote that letter, LJ (now Jewelry Artist) has featured wire artists several times, and started publishing the Step-by-Step series of magazines. The wire jewellery I’ve seen the past decade has improved vastly in terms of its creativity and quality of workmanship. My perception is that wire jewellery is commanding a lot more respect. While there are still challenges, I think we’ve come a long way :-).

YOJ09-32 Cooked Copper Bangle

Posted on August 13, 2009March 4, 2022 by dianne

Cooked Copper Bangle (2009)
Copper
Constructed, cold joined
L 22 cm x W 3.0 cm

During week 2 of my stay in Haliburton, one of the students taking my Wire Jewellery II class, Barbara-Joy Peel, showed us some pieces she had made in copper. The pieces had a really fabulous patina, which she said she achieved by “cooking” the copper in a frying pan. On the last day of the class, she brought in an iron frying pan, borrowed a hot plate from the Teen Cuisine class, and we tried out the technique for ourselves.

What fun! The copper changes colours gradually, going from copper, to orange, to yellow, to red, to purple, and then to dark blue. The dark blue turns silvery when the piece cools. If the piece doesn’t lie flat, then the result is a mottled colouration.

For week 32, I decided to try it again. I made a bangle, and cooked it. I think this is a really cool technique which I’m going to experiment with more.

YOJ09-31 CZ Solitaire Pendant

Posted on August 13, 2009 by dianne

CZ Solitaire Pendant (2009)
Sterling silver, cubic zirconium
Constructed, cold joined
L 1.5 cm x W 0.6 cm

Getting caught up after a couple of weeks away. I kept up with the projects, but didn’t have a chance to photograph them until today. My entry for week 31 is an adaptation of the solitaire prong setting by Jorgen Greftegreff. My husband gave me a solitaire pendant for Christmas a couple of years ago, and I’ve always wondered if the setting could work in wire. This version, while successful in the sense that the adaptation worked, is a bit too messy on the back for my preferences. It was worth the experiment though :-).

YOJ09-30 Copper Art Nouveau Cab Bangle

Posted on July 26, 2009August 13, 2009 by dianne

YOJ09-30 Copper Art Nouveau Bangle (2009)

Copper Art Nouveau Cab Bangle (2009)
Copper, dyed paua shell
Constructed, cold joined
L 8 1/2 inches x W 1 inch

Over the next couple of days I’ll be posting the work produced by my students in Wire Jewellery 1 and 2, but for this week’s YOJ entry, I’m posting my teaching sample of the AN Cab Bangle. This project ended up being quite challenging for the students and took an entire day for the class to complete. That was something I hadn’t anticipated, so there’s going to be a scheduling adjustment for next year’s class. What really impressed me was that everyone showed a lot of persistence in doing the project, which had a few tricky steps in it. One lady, Janice, was so determined to do it – despite how much it was frustrating her – that she refused any suggestion by me to modify it to something simpler. That caused me to joke that she was channeling her inner German: “I VILL complete zis bracelet!” The class cracked up laughing.

The next day, Janice came to class proudly showing off the bracelet, which she had attempted again on her own at home. She said that she’d found the instructions very clear and easy to follow. She had every right to be proud: her bracelet had turned out beautifully!

YOJ09-28 Prong Set Ring

Posted on July 11, 2009January 30, 2011 by dianne

Prong Set Ring (2009)
Sterling silver, cubic zirconium
Size 7
Constructed, cold joined

Life is crazy busy right now as I finish preparations for Haliburton. So this week’s entry is a variation on Jorgen Greftegreff’s Prong Ring (published originally in the April 2001 issue of The Wire Artist Jeweller).

The good news is that my wire arrived finally, and I didn’t need to reorder anything! *Whew*

My computer access is going to be limited for the next two weeks, so while I’ll try to post YOJ pieces on time, more than likely it will wait until I get back.

YOJ09-27 Art Nouveau Cab Bangle

Posted on July 4, 2009 by dianne

Art Nouveau Cab Bangle (2009)
Sterling silver, bloodstone
L 21.5 cm x W 2.5 cm
Constructed, cold joined

Although it’s supposed to be a calming stone, I’ve always found bloodstone to have a kind of overpowering “in-your-face” energy that’s difficult to deal with. For the last few weeks, though, I’ve been wearing it while working on my tutorials, and it’s been helpful for keeping my energy levels up and focused. I love the red spotting on this cab, and the slight yellow cloud overlaying the green. This was part of a group of cabs I bought when The Nautilus closed 10 years ago. The Nautilus was *the* place in Toronto to buy rockhounding and lapidary supplies. Located in the far, far east of the city, I remember it taking an obscenely long time to get there on city transit from where I lived in Little India. But what a treasure trove! The owner, Roy MacLeod, was a passionate rockhound and filled his store with all the bits and bobs needed to work with and admire rocks. Sadly, Roy didn’t live to see the millennium, and the closing of his store left a void that still hasn’t been filled.

In designing the Level II course for Haliburton, I was thinking about what skills would be most useful for the students to learn. In Level I, they learn the basics: working with single wires, developing dexterity with tools, etc. There are very few multi-wire projects. In Level II all but two of the projects are multi-wire pieces, and the students have to deal with doing steps early on that don’t actually come into full use until much later in the construction. Wire control becomes very important.

One of the things Level II focuses on is settings: half of the projects deal with some form of stone setting.

I think this is by far the most complex of the projects I’ll be teaching. Hopefully by the time we get to this point in the course, the students will have enough confidence to tackle it. If not, it’s easily adapted to something simpler. I’ll let them decide how energetic they want to be.

This tutorial will be available for purchase and download off my website after I get back from Haliburton. I’ll post the link when it’s up, along with more photos.

YOJ09-26 Prong Set Pendant

Posted on July 4, 2009September 21, 2009 by dianne

Prong Set Pendant (2009)
Sterling silver, labradorite
Constructed, cold joined
Private Collection

I found this labradorite in my stash again recently while working on the prong set pendant tutorial.

I’m rediscovering my love of stones, and am fantasizing about going to Bancroft to *shop*! Having put myself on a buying moratorium for the last few years, I normally go to the gemboree just to have a look around.

When I floated the idea of going this year, my DH surprised me by suggesting I go by myself! It’s a long drive to take the boys on, and since they don’t show much interest in rocks (other than the ones they can throw into water), the show is wasted on them.

Hmmm…. the possibilities…

More photos:

YOJ09-25 Netted Pendant

Posted on July 4, 2009July 5, 2009 by dianne

Netted Pendant (2009)
Fine silver, sterling silver
L 6.0 cm x W 2.5 cm

I’m running a bit behind with my YOJ postings, but I have been keeping up with doing the pieces. My focus has been on preparing for my class, which starts 9 days from today! This netted pendant is one of the projects for the class.

The good news is that I will get all of the tutorials done. The bad news is that I have no idea if my wire is going to arrive in time!

Getting the supplies for these classes has really tested my patience. Back when I worked in the mining industry, the gentleman I worked for always reminded me to prepare for Murphy’s Law. I’ve been reminded of that over and over in the last few weeks…

I do my best to support Canadian companies, partly because I believe in buying locally, but also because that way I don’t have to deal with the extra hassle of shipping, customs, duties and fluctuating exchange rates.

But some suppliers really make it a pain in the ass to deal with them.

Case in point: John Bead, a trade-only wholesaler and beader’s heaven. They would be an ideal Canadian supplier if they actually had the things I needed IN STOCK!!! Three weeks ago I went to JB – my first visit in years – and I was reminded why I don’t bother to shop there unless I absolutely have to. The warehouse is a frustrating jumble of aisles and bins. Just finding things is the first challenge. Then the flat nose pliers I wanted were out of stock. I had to settle for a cheaper, lighter weight version. The round nose pliers – every style – were out of stock. The only pliers they did have in stock were their own house brand – at $20 a pop. They didn’t have enough spools of 26 gauge copper wire, so I had to buy half of them in brass. No 1.5 mm antique copper chain in stock. Barely any 2 mm copper beads in stock. This is a wholesaler, remember, with several thousand sq. feet of showroom space…

*If* they had had the pliers, I would have been well over their minimum purchase requirement. As it was, I ended up having to visit their Swarovski room and buy a bunch of Swarovski crystals I didn’t really want or need to make up the difference. And even there, the stock on some of the common colours was patheticly low!

So, if you’re in Canada, looking for wholesale Miyuki, Swarovski or Preciosa, John Bead is a go-to supplier if you can meet their minimum. As for me, I think next year I’ll deal with the shipping costs, and customs charges, and just order from Rio Grande…

And increase the cost of the kit…I’m dealing with a very tight budget here, so that makes sourcing reasonably priced supplies problematic.

Thankfully, I found another supplier for the round nose pliers – Habsons Jeweller Supplies in Vancouver. They had the quantity I needed in stock, and they had them packed and shipped the day after I ordered them. This is the second time they’ve come through for me on a hard-to-find item. Last year I bought a half dozen wooden ring mandrels from them – impossible to find elsewhere in Canada, but they had them. I love these guys. Great customer service. Actually, maybe I’ll order from them first next year…

Next was the still-ongoing misadventure with the copper wire.

There are NO suppliers of shaped copper wire in Canada. So, ordering from the US is required.

I placed my order in mid-June, with expected delivery in 10 business days. The time came and went, and when I followed up this last week, I found out the supplier missed something on the paperwork. The package had been returned and had sat in their warehouse for a week before being sent out again. So now I’m sitting here hoping the package will arrive in the next few days. If it’s not here by Tuesday, I have to re-order the whole lot (US$900+), and have it sent up here by express overnight courier. Cost of the courier: US$102. *gloom* And I have to re-source the cabochons because I cleaned them out of their 22×30 mm with my last order. And then I’ll have two complete sets of the wire I need for the classes once the other order finally does arrive. The owner is doing her best to be helpful, even taking time out of her vacation to deal with this for me.

In the meantime, I’m beavering away, working on tutorials, putting together what I can of the kits, and trying not to stress out…

Tag Archives: wireworking