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George Brown College – 2009-10 Class Schedule

Posted on by dianne

The 2009-2010 classes for Wire Jewellery at George Brown College have now been posted!  Here’s the schedule (quoted from the GBC website):

Wire Art Jewellery 1

October 18-November 8, 2009
Course Number:   JEWL 9038, CRN# F10447

February 21-March 14, 2010
Course Number:  JEWL 9038, CRN# W45521

Learn the foundational skills needed to make wire jewellery. Make chains, earrings and findings using cold-joining techniques. Learn to manipulate different gauges of wire. Complete three bracelets, one necklace and four pairs of earrings. Create a piece based on a design of your own.

Note: A project kit of basic tools and wire will be supplied in the first class, but you must provide beads. The supplies required will be discussed in the first class.

Cost:  $412, plus cost of beads
Location:  Casa Loma
Hours: 20
Day/Time:  Sunday, 10 a.m. – 4 pm.

Click here to register.

Wire Art Jewellery 2

April 11-May 2, 2010
Course Number:  JEWL 9050, CRN# W45608

Refine your ability to control wire by creating bracelets, pendants and rings using multiple wires, twisted wires and binding techniques. Learn how to calculate the price of a finished piece of jewellery.

Note: A project kit of basic tools and wire will be supplied in the first class.

Cost:  $450
Location:  Casa Loma
Hours: 20
Day/Time:  Sunday, 10 a.m. – 4 pm.

Click here to register.

YOJ09-27 Art Nouveau Cab Bangle

Posted on by dianne

YOJ09-27 Art Nouveau Cab Bangle (2009)
Art Nouveau Cab Bangle (2009)
Sterling silver, bloodstone
L 21.5 cm x W 2.5 cm
Constructed, cold joined

Although it’s supposed to be a calming stone, I’ve always found bloodstone to have a kind of overpowering “in-your-face” energy that’s difficult to deal with.  For the last few weeks, though, I’ve been wearing it while working on my tutorials, and it’s been helpful for keeping my energy levels up and focused.  I love the red spotting on this cab, and the slight yellow cloud overlaying the green.  This was part of a group of cabs I bought when The Nautilus closed 10 years ago.  The Nautilus was *the* place in Toronto to buy rockhounding and lapidary supplies.  Located in the far, far east of the city, I remember it taking an obscenely long time to get there on city transit from where I lived in Little India.  But what a treasure trove!  The owner, Roy MacLeod, was a passionate rockhound and filled his store with all the bits and bobs needed to work with and admire rocks.  Sadly, Roy didn’t live to see the millennium, and the closing of his store left a void that still hasn’t been filled.

In designing the Level II course for Haliburton, I was thinking about what skills would be most useful for the students to learn.  In Level I, they learn the basics:  working with single wires, developing dexterity with tools, etc.  There are very few multi-wire projects.  In Level II all but two of the projects are multi-wire pieces, and the students have to deal with doing steps early on that don’t actually come into full use until much later in the construction. Wire control becomes very important.

One of the things Level II focuses on is settings:  half of the projects deal with some form of stone setting.

I think this is by far the most complex of the projects I’ll be teaching.  Hopefully by the time we get to this point in the course, the students will have enough confidence to tackle it.  If not, it’s easily adapted to something simpler.  I’ll let them decide how energetic they want to be.

This tutorial will be available for purchase and download off my website after I get back from Haliburton.  I’ll post the link when it’s up, along with more photos.

YOJ09-26 Prong Set Pendant

Posted on by dianne

YOJ09-26 Prong Set Pendant (2009)
Prong Set Pendant (2009)
Sterling silver, labradorite
Constructed, cold joined
Private Collection

I found this labradorite in my stash again recently while working on the prong set pendant tutorial.

I’m rediscovering my love of stones, and am fantasizing about going to Bancroft to *shop*!  Having put myself on a buying moratorium for the last few years, I normally go to the gemboree just to have a look around.

When I floated the idea of going this year, my DH surprised me by suggesting I go by myself!  It’s a long drive to take the boys on, and since they don’t show much interest in rocks (other than the ones they can throw into water), the show is wasted on them.

Hmmm…. the possibilities…

More photos:

YOJ09-26 Prong Set Pendant (2009)
YOJ09-26 Prong Set Pendant (2009)
YOJ09-26 Prong Set Pendant (2009)

YOJ09-25 Netted Pendant

Posted on by dianne

YOJ09-25 Netted Pendant (2009)
Netted Pendant (2009)
Fine silver, sterling silver
L 6.0 cm x W 2.5 cm

I’m running a bit behind with my YOJ postings, but I have been keeping up with doing the pieces.  My focus has been on preparing for my class, which starts 9 days from today!  This netted pendant is one of the projects for the class.

The good news is that I will get all of the tutorials done.  The bad news is that I have no idea if my wire is going to arrive in time!

Getting the supplies for these classes has really tested my patience. Back when I worked in the mining industry, the gentleman I worked for always reminded me to prepare for Murphy’s Law.  I’ve been reminded of that over and over in the last few weeks…

I do my best to support Canadian companies, partly because I believe in buying locally, but also because that way I don’t have to deal with the extra hassle of shipping, customs, duties and fluctuating exchange rates.

But some suppliers really make it a pain in the ass to deal with them.

Case in point:  John Bead, a trade-only wholesaler and beader’s heaven.  They would be an ideal Canadian supplier if they actually had the things I needed IN STOCK!!!  Three weeks ago I went to JB – my first visit in years – and I was reminded why I don’t bother to shop there unless I absolutely have to.  The warehouse is a frustrating jumble of aisles and bins.  Just finding things is the first challenge.  Then the flat nose pliers I wanted were out of stock.  I had to settle for a cheaper, lighter weight version.  The round nose pliers – every style – were out of stock.  The only pliers they did have in stock were their own house brand – at $20 a pop.  They didn’t have enough spools of 26 gauge copper wire, so I had to buy half of them in brass.  No 1.5 mm antique copper chain in stock.  Barely any 2 mm copper beads in stock.  This is a wholesaler, remember, with several thousand sq. feet of showroom space…

*If* they had had the pliers, I would have been well over their minimum purchase requirement.  As it was, I ended up having to visit their Swarovski room and buy a bunch of Swarovski crystals I didn’t really want or need to make up the difference.  And even there, the stock on some of the common colours was patheticly low!

So, if you’re in Canada, looking for wholesale Miyuki, Swarovski or Preciosa, John Bead is a go-to supplier if you can meet their minimum.  As for me, I think next year I’ll deal with the shipping costs, and customs charges, and just order from Rio Grande…

And increase the cost of the kit…I’m dealing with a very tight budget here, so that makes sourcing reasonably priced supplies problematic.

Thankfully, I found another supplier for the round nose pliers – Habsons Jeweller Supplies in Vancouver.  They had the quantity I needed in stock, and they had them packed and shipped the day after I ordered them.  This is the second time they’ve come through for me on a hard-to-find item.  Last year I bought a half dozen wooden ring mandrels from them – impossible to find elsewhere in Canada, but they had them.  I love these guys.  Great customer service.  Actually, maybe I’ll order from them first next year…

Next was the still-ongoing misadventure with the copper wire.

There are NO suppliers of shaped copper wire in Canada.  So, ordering from the US is required.

I placed my order in mid-June, with expected delivery in 10 business days.  The time came and went, and when I followed up this last week, I found out the supplier missed something on the paperwork.  The package had been returned and had sat in their warehouse for a week before being sent out again.  So now I’m sitting here hoping the package will arrive in the next few days.  If it’s not here by Tuesday, I have to re-order the whole lot (US$900+), and have it sent up here by express overnight courier.  Cost of the courier:  US$102.  *gloom*  And I have to re-source the cabochons because I cleaned them out of their 22×30 mm with my last order.   And then I’ll have two complete sets of the wire I need for the classes once the other order finally does arrive.  The owner is doing her best to be helpful, even taking time out of her vacation to deal with this for me.

In the meantime, I’m beavering away, working on tutorials, putting together what I can of the kits, and trying not to stress out…

Interview with Lisa Holley, Bejewelled Jewelry

Posted on by dianne

Lisa Holley is a member of the Starving Jewelry Artists Etsy Street Team.  The Dora, Alabama resident is helping to promote the team by featuring other members on her webjam site.

This week, it’s my turn.

Thanks Lisa!

Interview with Jewelry Report – Part 1

Posted on by dianne

I was recently contacted by Angela Neal of Jewelry Report, asking to interview me for an article.  I’m happy and grateful for the opportunity!

Part 1 of the article was posted today, and deals with selling jewelry tutorials online.

Part 2 will be published on Thursday, and I’ll post the link then.


About Jewelry Report (from the website)
The Jewelry Report is intended to be a place to find news, reviews, tools & tips, and more miscellaneous information from the jewelry making and design world, featuring articles by jewelry enthusiasts and experts.
News Science brings us new materials and designers create innovative techniques every day.  We look at hot new trends in jewelry making, along with what’s hot in jewelry fashion, and other news from the jewelry industry.  Read about how cutting edge designers are taking jewelry to new levels and discover what trends that could lead the way for the jewelry of tomorrow. Reviews There are literally thousands of jewelry related web pages on the net.  We try to bring you the best.  Our writers give their opinion on some of the best supplier sites, jewelry blogs and how-to educational sites,  as well as reviewing new jewelry making books and materials. Tools & Tips In this section our contributors share their own experiences and present some solutions to common jewelry making problems as well as offer up a few clever shortcuts to save you time and hassle. More Miscellaneous Information We bring you a random assortment of articles such as ‘Why jewelry making and cats don’t mix’, ‘How to find your signature jewelry style’, ‘The problems and pitfalls of pricing your work’ and many more jewelry related topics, all served up with a dash of humor and the wry wisdom that comes from getting it right only after getting it wrong. Happy reading and beading!

YOJ09-24 Shiva’s Pomander

Posted on by dianne

YOJ09-24 Shiva's Pomander (2009)
Shiva’s Pomander (2009)
Fine silver, sterling silver
Pendant: L 6.1 cm x W 3.2 cm
Chain: 88 cm
Constructed, coiled, cold joined, flameworked

A little over a year ago, Perri Jackson sent me Strange Attractor, a stunning wire bead she’d made as a thank you gift for helping her with a tutorial.  Looking at it, I wondered how the structural coiling technique she used could be adapted to something other than a bead.  Something like a locket maybe… It got me puzzling…

An opportunity to experiment came in the form of a call for entry from Rails End Gallery.  Every year the gallery hosts a show featuring work by the faculty of the Haliburton School of the Arts.  This year, the theme is “Vessel”.

Originally, I had wanted to make the vessel to house this heart, but screwed up – err… made a Design Choice that ended up creating a much larger container than intended. The original design would have hung horizontally, with the chain running through the centre.  With this one, the design lends itself better to a vertical orientation.

This week when I was talking to Perri, I mentioned that I was working on a locket-type piece for the show.  She asked what it looked like.  “Sort of like a Shivalingam,” I said.

So… the piece is heading out the door today to get sent up to Haliburton.  There is, of course, the obligatory Artist Statement that goes with it:

In Hinduism, the lingam is a symbol of Shiva. Worn in a similar fashion as a Christian cross, the intent is to draw the blessings of the Higher Power to the wearer. Using structural coiling and weaving techniques developed by Perri Jackson, I decided to interpret this symbol as a pomander worn over the solar plexus. It allows the wearer to carry a prayer or fresh flowers within: a reminder to always recognize the Source of all life’s gifts.

VESSEL: HSTA Faculty Exhibition
Rails End Gallery & Arts Centre
23 York Street
Haliburton, Ontario, K0M 1S0
June 30 – July 30, 2009
www. railsendgallery.com

More photos:

YOJ09-24 Shiva's Pomander (2009)
YOJ09-24 Shiva's Pomander (2009)
YOJ09-24 Shiva's Pomander (2009)
YOJ09-24 Shiva's Pomander (2009)
YOJ09-24 Shiva's Pomander (2009)
YOJ09-24 Shiva's Pomander (2009)

YOJ09-23 Standard Form Ring (Again)

Posted on by dianne

YOJ09-23 Standard Form Ring
Standard Form Ring
Sterling silver, jasper
Constructed, cold connected
Size 10

Yes I’m posting the same project as in Week 2.  At that point I had written the instructions for the tutorial, and the carnelian ring posted was the product of the writing process.   This time the ring is the product of the photography process.  I have now completed two of the six tutorials I need to write for my class.  Number three is written and transcribed to computer; photography for that project will happen tomorrow.  With any luck, number three will be done by Wednesday.

I’m now into the most challenging part of my schedule for the year.  With five weeks to go until my class, I’m multitasked up to wazoo.  I’ve been taking advantage of the convenience my netbook is offering me:  I can sit out on the front porch and work in the warmth of a sunny day while my children play in the yard.  If they are working on an educational CD doing “homework” on the clunker laptop in the kitchen, I can also sit at the table and do “my” homework.

Life is humming along…

Next week’s project will be much more spectacular, I promise.  It’s in the finishing stages now, and will be on its way to the Rails End Gallery this week for the HSTA Faculty Exhibition, “Vessel”, which opens on June 30.

YOJ09-22 Viking Knit Bracelet

Posted on by dianne

YOJ09-22 Viking Knit Bracelet (2009)
Viking Knit Bracelet (2009)
Fine silver, sterling silver
Nalbinding, cold connected
L 20.5 cm x W 0.4 cm

I’m hard at work on the tutorials for my class, so this week’s project is the product of that work.  I’ve been doing a lot of photography, and editing and layout.  I’ve been pretty much eating, sleeping and breathing the project.  The first tutorial is finished, and the second is well in hand.  Four to go… and six weeks until the classes start.

More photos:

YOJ09-22 Viking Knit Bracelet (2009)
YOJ09-22 Viking Knit Bracelet (2009)
YOJ09-22 Viking Knit Bracelet (2009)

YOJ09-21 Viking Knit Torus

Posted on by dianne

YOJ09-21 Viking Knit Torus (2009)
Viking Knit Torus (2009)
Sterling silver
Nalbinding
L 55 mm x W 55 mm x D 10 mm

I’m insane.

People who know me are familiar with this quirk in my personality, but every now and again I feel compelled to demonstrate it.  Hence, this week I decided – despite numerous pressing deadlines – I absolutely had to attempt making a torus out of viking knitting.

Nalbinding was historically used for things like socks, mittens, bags, hats and the like.  In wire, it’s been used mostly for chainwork.  To the best of my knowledge, no one has tried using it for sculptural wirework, and certainly no one has tried using it to construct a torus.  Loren Damewood, who I’ve had the pleasure of meeting, has made a toroid bracelet out of string, with plans to attempt it in wire, but his technique is marlinspike knotting.

Thanks to my experience making the Merry Meet necklace, I decided to make the first attempt in polymer coated wire.  I have pounds of the stuff, and it’s great for experimenting.  Unfortunately though, it doesn’t lend itself to annealing, which meant I could only get as far as shaping the torus.  I couldn’t finish the seaming without risking wire breakage.

I’m contributing that first piece to The Metal Arts Guild of Canada’s call for Nuit Blanche 2009.

I’m completely obsessed with this idea, so decided that I would try one in silver.  At the Zilberschmuck “Connection” opening a couple of weeks ago, I was talking to Charles Funnell about viking knitting.  He had been trying to do some chainwork and was finding it challenging.  I commented that it would work better in fine silver than in sterling, because the metal is more maleable.  Unfortunately, the only fine silver wire I have on hand at the moment is 28 ga, and the idea of doing it in that fine a gauge really didn’t appeal to me.  So, I decided to try 24 ga sterling in dead soft.

Well…

It was easier to work than the polymer coated copper, but I still ended up with a blister on my pinky from pulling wire.  After a while, even wearing a bandage on the finger didn’t help.  Yes, I suffer for my art…

YOJ09-21 Viking Knit Torus (2009)
The main challenge of a torus is making it seamless. The rest is just like making tubing.  I figured out a way of making the stitches nice and tight, thanks to a tool that Loren uses for his turks head knot rings.  Three stitches before the finish, and despite frequent annealing, the wire broke on me!  :bang head:

Luckily the repair was easy, and I was able to finish it up.  I spent far too many hours on this, but I’m very pleased with it and want to make more as time and my finger permit.  The ghost of Frank Hoffmann is whispering in my ear again though:  for the amount of work involved, I should be making it in gold.

More photos:

YOJ09-21 Viking Knit Torus (2009)
YOJ09-21 Viking Knit Torus (2009)
YOJ09-21 Viking Knit Torus (2009)

YOJ09-20 Viking Knit Ring

Posted on by dianne

YOJ09-20 Viking Knit Ring (2009)
Viking Knit Ring (2009)
Fine silver, malachite, howlite
Nalbinding, single knit, constructed, cold joined

I finally got back to writing this week!  I have six tutorials to write in preparation for my class in Haliburton in July.  So far I have completed writing the draft on one of them.  Photos and actually putting the tutorials together are still outstanding.  I’m keenly aware of how quickly the time is going, so a few weeks ago I decided to put Tigger into daycare two days as week.  That is giving me several hours of uninterrupted work time, since it co-incides with the days that Thumper is in school.  What Heaven!

Usually I make the project, writing the steps as I go.  Then I put the text aside for a week or so, come back to it and reconstruct it following my instructions.  If I stumble on any part of it, that means a rewrite is in order.   Refining continues as I take the photos and do the layout.  Lots of work… which means I gotta start makin’ like a bread truck and haul buns…

This week, I was working on instructions for viking knitting.  I experimented with incorporating 2 and 4 mm beads, which led to a screw up – err… “Design Choice” – when I went to draw the chain.  I ended up having to take the chain apart, but salvaged enough to make this ring.  It’s been an interesting experiment in timing myself as well – construction of enough chain to make a bracelet is taking a little over 2 hours.  Adding the beads was just for my amusement, and won’t be part of the final instructions.

More photos:

YOJ09-20 Viking Knit Ring (2009)
YOJ09-20 Viking Knit Ring (2009)
YOJ09-20 Viking Knit Ring (2009)

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