silver – Page 6 – dianne karg baron

YOJ09-10 Fun with Fibre

Posted on March 8, 2009April 12, 2009 by dianne

Fun with Fibre Earrings 1 (2009)

Sterling silver, wool
L 6.7 cm x W 0.5 cm
Formed, wet-felted

Fun with Fibre Pendant 1 (2009)

Sterling silver, wool
L 6.5 cm x W 0.4 cm
Formed, wet-felted

Fun with Fibre Pendant 2 (2009)

Sterling silver, fine silver, cotton thread
L 4.5 cm x W 0.45 cm
Nalbinding (viking knitting), embroidered

This has been a frustrating week, in terms of getting anything done. Number 2 Son has been demanding a lot of attention. “I want to do homework! I want another printing sheet!” every 10 freaking minutes. Normally, a parent loves to hear that their child wants to do homework, but in my case, it meant getting up from bench, sitting down at the computer, waiting for him to make up his mind about what he wanted to work on – an achingly slow process – and then printing it off. As a result, I was never able to focus on finishing the project whose deadline came and went on Friday.

He starts JK in the fall, and then I will have more extended blocks of time to work without interruption. I’m trying to enjoy these last couple of months of us being together before he becomes a Big School Boy, but geez it’s annoying to miss a deadline.

I haven’t given up on trying to finish the project, which is very labour intensive, but by last night, I decided that I needed to change gears. “Ferris Bueller’s Day Off” was on tv, so I set up my felting stuff on the floor, and played while watching the movie. I’m still working on learning felting, still hoping to apply it to bonsai. One of the websites I stumbled across applied roving to craft wire, so I thought I’d give that a go.

My results are nothing spectacular, but then they weren’t intended to be.

The other thing I wanted to try was mixing fibre and nalbinding. I actually wanted to mix nalbinding with wire embroidery, but figured it would be too high on the PITA factor. I ended up using embroidery thread, but the idea still has a high PITA factor. My embroidering skills leave much to be desired as well *grin*. I may try the idea again, but approach it differently.

More photos:

YOJ09-08 Effervescence Pendant

Posted on February 22, 2009February 22, 2009 by dianne

Effervescence Pendant (2009)
Sterling silver, fine silver, blue topaz
L 5.4 cm x W 2.5 cm
Constructed, flame-worked

Having made the decision to make more production pieces, I’m picking out stones from my stash and setting to work. This week’s piece reminds me of the “Use it Up” pendants I made back in YOJ 2005-06. I fished a piece of 15 ga. square wire out of the scrap bin and balled up the ends, then bent it into shape and added this 8.96 carat blue topaz brio. It looked too plain, so I embellished it with 2 and 3 mm sterling beads.

Even since my friend Anna did the flower arrangements for my wedding, I’ve been mindful of the principle of using odd numbers for groupings. She explained that it’s more pleasing to the eye to see 1, 3, or 5 things together, rather than 2, 4, or 6. To some extent that principle is at work here with the three larger beads, and groups of 5 beads.

After I got it out the tumbler this morning, I tried it on. The beads looked like fizzing over top of the brio, and made me think of what my kids refer to as “bubble water” – soda water. So, it has the name “Effervescence”. *grin*

My husband likes the pendant, but then again, he prefers any pieces to which I’ve take a torch. The pendant wears well, but I’m not completely happy with the result – decorative beading is really not my forté – so I may it try again.

More photos:

YOJ09-07 Double-sided Citrine Pendant

Posted on February 16, 2009February 22, 2009 by dianne

Double-Sided Citrine Pendant (2009)
Sterling silver, fine silver, citrine
L 3.0 cm x W 1.3 cm
Constructed, woven

I bought this wonderful citrine at the Toronto Gem & Mineral Show many years ago. I think I bought it when Thumper was still a baby. Part of the reason I’ve never used it is that despite how beautifully cut it is – double sided cushion cut – I didn’t really know how I wanted to set it.

This week, while giving myself a break from the never ending viking knit project, I decided to go digging in my stash and found this beauty again. I decided to try setting it to show off both sides of the stone. I’ve discovered that I’ve developed a serious dislike of wrapping with half round wire. At least, I dislike the 21 ga half round I have. It’s just too thick for what I want to do. So, to make a thinner setting, I use 28 ga fine silver. It’s fiddly to work with, but it allows the stone to take centre stage instead of being overwhelmed by the wire. Both sides are worked almost identical. The bezel is basically two pieces of square wire woven with 28 ga wire. The channel created in the centre of the weaving holds the girdle of the stone. The 2 mm beads act like prongs to hold the stone in the setting. It’s visually similar to the pendant I made in Week 4. I like the way it turned out.

I’m making progress on the viking knit piece – it’s now 3 1/2″ long, but I’m starting to doubt that I will have it finished in time for entry to the competition. *sigh* I’ll keep plugging away at it, because it’s really starting to take shape. At the same time though I need to work on production pieces, hence the citrine pendant.

More photos:

YOJ09-06 Viking Knit Pendant

Posted on February 8, 2009February 16, 2009 by dianne

Viking Knit Pendant (2009)
Sterling silver, fine silver, glass
Constructed, liver of sulphur patination
L 2.9 cm x W 1.9 cm

I’ve got Viking knitting on the brain this week, because I’m working on a competition piece that uses that technique. It’s a slow, tedious process, but at the same time, strangely rhythmic and meditative. So far on the competition piece I’ve used about 15 ft of wire, and have oh… 1 1/2″ (just under 4 cm) of knitting completed.

Needless to say, it’s not the piece I’m posting for this week.

Since I have my fingers suitably warmed up, I figured I’d try using the technique on a pendant, and add a woven bail. This result is slightly different than the netted pendant I made for myself about a year ago.

I also decided to add liver of sulphur patina to it because silver and clear glass is just plain boring. The thing I love about LOS is the range of colours that can be produced, from straw yellow to deep dark black. My LOS is very old – so old in fact that it doesn’t dissolve properly anymore. I mixed up a weak solution and swirled the pendant around in it. Initially it went gold/brass coloured, but I decided I wanted to go deeper, so I popped it back in. I like the coppery brown colour I have now.

More photos, both with and without LOS:

YOJ09-04 Swarovski Pendant

Posted on January 25, 2009 by dianne

This has been a busy week. I’ve been juggling a bunch of different projects, trying to wrap some up, get ahead on others. I’ve made some progress in my quest to figure out how to incorporate felting for a bonsai. Unfortunately, the avenue I’m following at the moment is very labour intensive.

Years ago, an acquaintance at the Gem & Mineral Club of Scarborough named Frank Hoffman commented that if you’re going to go to the effort of making a piece of jewellery, you should make it out of karat gold. His reasoning was that for the same labour you would be able to charge a much higher price, because of the perceived value of the gold. For this felted bonsai, I’m starting to think he made a good point.

Anyways… I made a pair of earrings this week, which are being given away as a birthday present, but I didn’t want to post those. So… here it is, Sunday night, and I need to post something.

About a year ago, a lady on CWJ, Nancy Van Tassell, was selling off some Swarovski gems. I bought a bunch. They’ve been sitting in my stash ever since. Recently, when I was cleaning up my bench, I discovered them again. So… with the clock ticking down, I decided to try my hand at a pendant. Since the gem has a deep back, I had to figure out how to set it without ending up with the point sticking out too much. I also didn’t want the pendant to look really heavy. So, the solution was to make an openworked bezel. It turned out okay, but I think it would have looked better in a thinner gauge of wire.

My eyesight is going… *gloom*… and I’m tired… and the pendant took forever to make… but hey, at least I got a piece done.

YOJ09-03 The Bird Ring

Posted on January 18, 2009January 18, 2009 by dianne

The Bird Ring (2009)
Sterling silver, wool
Needle-felted, constructed
Size 7

Alright, I admit: this looks a bit odd, but trust me, it’s part of the process of figuring out if felting will work for a bonsai ring. This week, I was needle-felting onto an armature. I’m working with wool roving, which is very fiddly on a small scale. This was worked dry, but I’m going to have to try it wet to see if it gives me more control. I’m also thinking that I may need to buy some felt sheets and see how that works.

Here are some other views:

YOJ09-02 Standard Form Ring

Posted on January 11, 2009February 23, 2021 by dianne

Standard Form Ring (2009)
Sterling silver, carnelian
Size 10

I wasn’t intending to post this as my second entry for the YOJ, but it’s now Sunday, the due date for this week, and the piece I actually wanted to post isn’t finished. I’m “tweaking”. It feels very much like I’m doing a science experiment.

So… in the meantime…

I’m going to be teaching at Haliburton again this summer, and I have a bunch of tutorials I need to write in preparation for the class. Last fall I proposed a second level wire jewelry course, which was accepted. One of the projects is going to be the Standard Form Ring, aka Pharaoh’s Ring. (Why it’s called the “Pharaoh’s Ring” is a mystery: I haven’t been able to find any historical examples using wire. References to cast versions, yes, wire, no…). It’s called the “Standard Form Ring” because it’s one of the all-time classic wireworking ring patterns. A version of this ring was published in Moods in Wire by Ellsworth Sinclair, Beginning Wirecraft by Jessie Donnan, and in the Wire Artist Jeweller Magazine (June 2003). It’s a substantial ring, usually worn by men. I started writing my version this week, in between printing off “printing sheets” for Number 2 Son, who likes to do “homework”.

(Edit Jun. 25/09: Thanks to some excellent detective work by Helen Goga, a historical reference for the Standard Form Ring has been found! Mr. Thomas Vincent Phelan received a patent for the ring design (US Des. 150,726) in August 1948. The patent lasted for 14 years, and the design went into the public domain in 1962.)

My own personal artistic proclivities don’t lean towards classical wirework, so I haven’t made this type of ring before. I followed the WAJ instructions for my first two attempts. I often tell my students that they shouldn’t worry about what their first attempt looks like: usually with the first one, you’re just trying to get your head around the steps, so clumsiness is part of the process. It’s no different for me. This ring was attempt number 3… and I’ll likely make at least two more in the process of refining, writing and photographing the steps for the instructions.

There are useful wireworking skills to be learned from doing this project. There are definitely some “tricks” to getting it to look nice. Notes are being scribbled…

Some other views:

YOJ09-01 Needle Felted Circle Pendant

Posted on January 1, 2009October 9, 2016 by dianne

Needle Felted Circle Pendant (2009)
Sterling silver, wool
Needle-felted, flame-worked, cold connected
L 5.2 cm x W 4 cm

Back in 2006, when I was working with the Bonsai Rings one of the challenges I faced was to create realistic looking foliage. A technique I thought might work well was felting. I signed up for a felting course, but unfortunately various circumstances prevented me from taking it.

So recently, when I was putting together a Treasury on Etsy.com, I came across a shop that sold needle felting kits. The price was good, so I took the plunge and bought one.

I decided to experiment first with the least appealing colour for foliage: pink.

The technique is quite simple and fun. On the first night, I made two little balls. The next night I had a meeting with Maegen Black, a colleague who works with me on MAGazine. She was wearing three felted bangles made by a BC artist whose name I didn’t catch. (Edit: Maegen let me know the artist’s name is Deb Dumka). Intrigued, I tried a version of my own the next night.

Since I’m now working on my YOJ projects, I decided to use this little circle for my week 1 submission. To jazz it up, I broke out the torch and made a bunch of sterling silver studs to decorate the circle. Remembering the mess I got myself into during the previous YOJ, I did all of the finishing prior to assembling the pendant.

Metal Arts Guild Pin Swap 2008

Posted on October 20, 2008October 9, 2016 by dianne

As part of this year’s Annual General Meeting, the Metal Arts Guild of Canada hosted it’s second annual Pin Swap. Intended as a “get to know you”/game for the participants, it’s a great opportunity to try out new ideas. Participants make anything they like and trade with each other. At the end of the evening, I was the proud owner of pins made by Mary McIntyre (a copper bar pin, made with rare earth magnets), Alistair Crombie (a Google map pin), Sarah Hamel (a plastic conglomerate pin), Sara Cummins (a pierced rectangular stick pin) and Robert Mitchell (a sterling silver swirl with pearl drop).

Prior to the event, I was wracking my brain trying to come up with something, and finally thought, “Well, it’s Fall, so why not do leaves?” So, that’s what I did. It was great fun, and I’d encourage anyone coming to next year’s AGM to join in!

Tutorial – Double Celtic Cross & Scrolls Earrings

Posted on September 28, 2008March 16, 2016 by dianne

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At long last, a new tutorial!

Double Celtic Cross & Scrolls Earrings

I created this design back in 1998, and it’s always been very near and dear to my heart! For those of you who love all things Celtic, these earrings combine a couple of classic Celtic elements: crosses and scrolls!

14 pages, 63 photos, 45 steps, plus design notes

USD $10.00

Available now from my Tutorials Page.

Tutorial – QEW Earrings

Posted on December 30, 2007March 4, 2022 by dianne

QEW Earrings

Inspiration comes from the strangest places! This modern-looking pair of earrings was inspired by an Art Deco-era light standard I spied while driving along the Queen Elizabeth Way, in Toronto – and hence the name, QEW! I can’t remember exactly where it was – somewhere between High Park and the Humber Hump – only a quick glimpse, but it was enough!

9 pages, 26 photos, 22 steps, plus design notes

FREE

Available now from my Tutorials Page.

(Let me know what you think of the new tutorials format.)

Happy New Year!

Found a freebie :-)

Posted on December 26, 2007May 11, 2008 by dianne

Does anyone besides me occasionally do a search for their own name on Google? (C’mon… admit it…LOL)

Actually, I was doing it to check how many sites are linking to mine. In the process I stumbled across a link to my Beaded Channel Ring tutorial, published in Lark Books’ Contemporary Bead and Wire Jewelry. So, give it a try!

Tag Archives: silver

YOJ09-10 Fun with Fibre

YOJ09-08 Effervescence Pendant

YOJ09-07 Double-sided Citrine Pendant

YOJ09-06 Viking Knit Pendant

YOJ09-04 Swarovski Pendant

YOJ09-03 The Bird Ring

YOJ09-02 Standard Form Ring

YOJ09-01 Needle Felted Circle Pendant

Metal Arts Guild Pin Swap 2008

Tutorial – Double Celtic Cross & Scrolls Earrings

Tutorial – QEW Earrings

Found a freebie :-)

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