macrame – dianne karg baron

YOJ11-09 Spiral Wand Pendant

Posted on March 4, 2011March 18, 2011 by dianne

Spiral Wand Pendant (1) (2011)
Argentium silver, quartz
Formed, knotted
L 4.4 cm x .5 cm (6 mm bead)

I pulled out the spool of argentium silver while working on the week 8 project, and this pendant grew out of one of the failed attempts at embellishing the earrings.

I used to make little mini-wands with quartz points set in copper tubing and wrapped in leather for the New Age crowd. Clear quartz is regarded as an energy amplifier, and in wand form is used to direct healing energy to a specific place in the body. This updated version of the wand gives a nod to the DNA helix in the knotted spiral, and the faceted quartz bead adds a little touch of bling.

Macramé is one of those techniques that makes a very natural transition to wire, but the stiffness of the metal requires that the knots be planned out to minimize kinking. Pulling the knots tight also quickly work-hardens the wire.

Besides a bit of coiling, I haven’t worked with the argentium silver, so this was really my first experience with it. I’m finding it a bit stiffer to work than sterling, but I’m looking forward to seeing what it can do.

Spiral Wand Pendant (2) (2011)
Argentium silver, quartz
Formed, knotted
L 3.3 cm x .5 cm (6 mm bead)

YOJ10-15 Knotted Earrings 3

Posted on April 14, 2010 by dianne

Knotted Earrings 3 (2010)
Sterling silver, fine silver, tourmaline
Constructed, cold-joined
L 3.7 cm x W 0.5 cm (W 1.45″ x L 0.2″)

Continuing on from last week, since I made several of the Monkey’s Fist knots, I made another pair of earrings!

I’ve been doing some experimenting with photography lately, putting my pieces on a white background instead of the medium gray. I’m looking for ways to make the images “pop” more – in my recent work I’ve been using a lot of stones that have the same value as the background, and it makes the jewellery look dull. “Value” in colour terms refers to how light or dark it is. (To see check the value of your stone, stare at the photo with squinted eyes – if the stone disappears it has the same value as the background.) In order for a photo to have visual interest, it has to be either lighter or darker than the background, otherwise the eyes see what’s there, but the brain registers “ho hum”.

It’s a bit more work to deal with a white background – inevitably, and even though I have a white balance setting on my camera – the raw photo comes out slightly grey. Photoshop can adjust the balance it easily, but then I usually still have to do some extra clean up. It’s a bit tricky to lighten the background enough to get rid of “noise” but not so much that the jewellery bleaches out.

From a print perspective, (putting on my editor hat for a moment), getting photos with white background is a godsend for layout. I can plunk them down anywhere on a page and build text around them. Or I can crop and put several images close together – something that isn’t possible when the jewellery is shot on a grey or staged background. There are no distractions – you look at the jewellery and nothing else.

While they work for print and web, white backgrounds do *not* work well for jury photos. I had the opportunity to sit in on a jury for a show recently (something I highly recommend BTW, it’s very educational), and I noticed that the photos with white backgrounds were always very jarring. Backgrounds with a value of medium to dark (but not black) and *absolutely no props* worked best for jury photos. Prop shots work well for Etsy, but are distracting in jury.

More photos:

YOJ10-14 Knotted Earrings 2

Posted on April 10, 2010 by dianne

Knotted Earrings 2 (2010)
Sterling silver, iolite
Constructed, cold-joined
L 2.5 cm x W 0.7 cm (L 0.98″ x W 0.275″)

My life is all about choices: if I choose to focus on one area of my life, another area gets sacrificed. For the past few weeks, I’ve had to focus on some group endeavours, and so my work on YOJ projects ground to a halt. I’m working towards finding balance, but haven’t found it just yet.

For this week’s project, my focus was on making bridal jewellery. My thoughts were on “something blue” and “tying knots”.

The Monkey’s Fist is a classic macramé knot, usually used as a weight or ornament on the end of a rope. Tying them in rope is relatively easy. When I learned it as a child, it was just a matter of sticking a marble between two fingers, and wrapping the rope around the marble and fingers, then around the marble through fingers and then through the loops created by the fingers. Then the loops were pulled tight.

In wire, the stiffness of the metal, and its tendency to kink makes tying challenging. There is also the issue of trying to get the proportions right: thinner gauge wire is more flexible to tie, but the knot becomes very small and fiddly. I found it impossible to tie wire around a bead without it slipping all over the place. Pulling the loops tight at the end was also a non-starter, so I had to make the initial wraps as close to round as possible – challenging since without a bead in the centre, the tendency is to wrap ovals. I ended up creating an invent-a-tool to help.

It took a bit of practice to get consistent results (doesn’t everything?), but I did end up with a satisfying “knot”. To get the “blue” part of the earrings, I decided on adding some pale 2 mm iolites. I would love to try these in a larger gauge of wire, but I think that would really only be possible with fine silver. Sterling just gets too stiff too fast.

More photos:

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YOJ11-09 Spiral Wand Pendant

YOJ10-15 Knotted Earrings 3

YOJ10-14 Knotted Earrings 2

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