YOJ11-03 The Peanut Experiment

The Peanut Experiment (2011)
Copper, polymer-coated copper, sterling silver
Formed, fold-formed, cold-joined, fused, patinated
W 2.5 cm x H 8.5 cm

.

This week’s entry is actually the end of a several week long process where I experimented with a different method for forming.

This is an idea I’ve been wanting to try ever since seeing a website by a British artist who made life size human figures out of wire.  His name is regretfully forgotten, and the link to his website lost.  What I remember the most – besides the wonderful realism of his figures – was that he built them over a solid core, which was later burned out.

Cores are often used with metal clay for making hollow forms such as boxes or beads.  After some research, I bought some cork clay, and then promptly got too busy to go any further.

Cork clay is usually burned out in a kiln.  Since I’m not interested in making a substantial investment for something I may not stick with, I started researching low-tech alternatives.  I remembered a thread on Ganoksin about using a flower pot kiln for burning out wax.  The Ganoksin archives, while vast and wide-ranging, are frustrating to search, and didn’t provide anything really helpful.  Evenually, I found some basic information elsewhere online for building a flower pot kiln and went about collecting the materials to build one.

I wasn’t sure if the kiln would get hot enough to burn out the cork clay, so I made my first core out of bread dough.  Since it was just an experiment, I opted to do a freeform winding of copper wire around the core.

Finding an unglazed clay pot of an appropriate size in January in Canada is a challenge.  However, I did find one – and only one – at Home Depot.

Once back at home, I lined the pot with tin foil, set up the hotplate on my back deck, put a modified coffee can on the element, added the piece to be fired, covered it, and turned it on.

It smoked a lot, and stunk to high heaven, but considering it was in -12°C and blowing gusts, it worked very well!  The core-free wire looks a bit like a peanut.

Because with the YOJP, a finished piece is supposed to be submitted each week, I decided to also try my hand at making some leaves with fold forming, which were then patinated using salt & ammonia.  They were attached to the peanut and presto! a finished piece.

It’s not pretty, but it wasn’t intended to be.    My next step will be to try again with the cork clay.

Process photos:

 

YOJ09-05 The Caged Heart Grows Cold

The Caged Heart Grows Cold or Portrait of the Artist circa 1998 (2009)
Bare copper, polymer coated copper, wool
Constructed, needle-felted
Pendant:  L 7.5 cm x W 4.2 cm; Neckwire:  L 45 cm

I’ve been debating with myself for three weeks about what and how much to write about this week’s entry.  I made the felted heart in week 2, but then discovered that studio gremlins had made off with my copper wire…  I finally found a small spool of it last week, so was able to start work on the project.  The gremlins are refusing to let go of the rest, though, so this is the last copper piece I’m going to be making for the time being.

I spent a lot of time during my hiatus meditating on the direction I should go with my jewellery.  Time and time again I’ve gotten the message that my jewellery needs to connect with the spirit, and express more of my inner voice.

So, my piece this week speaks from a very personal perspective.  The very long story behind it is one that only my very closest friends have known about before now.